Gallery hours are Wednesday through Sunday, 2-7 p.m. The two- to three-hour performance will be held in the DCAC Theater.Īt the end of the exhibit, Fleming will engage in a conversation with Bass on June 22 from 3-4:30, moderated by co-curator Washington.Īll events are free and recognize the 30th anniversary of DCAC (2483 18t Street NW in Adams-Morgan). with Bass, guest artist Wilmer Wilson and Maps Glover. His second performance piece, “Pretending to be Rock,” will take place on June 20 at 6:30 p.m. Find & Download the most popular Dark Overlay PSD on Freepik Free for commercial use High Quality Images Made for Creative Projects. ![]() The 10 paintings by Fleming on view are all numbered and titled “Infinite Desire,” and create a more mellow view of the activities in his performance pieces. That is to say, no matter what each of them creates, there seems to always be an overlay of Blackness imposed by the public imagination.”įleming’s other works “explored notions of Black masculinity.” But when he included white women performers, the perceptions changed to be construed as a statement of “interracial sexual dynamics or about whiteness.” According to the curators, this did not happen when the collaborator was a white male or a Black female. overlay of body and shadow Walker redoubles. The title comes from conversations between Fleming, Bass and Washington where all three artists shared their experiences in which “the public assumed that their respective creative or scholarly work was about Blackness, regardless of whether the artist, or curator, said or implied such and even when they said it was not about Blackness, but about some other concept or idea. white presence that shapes double consciousness, Walker includes stereotypical white characters with her black. The Black body is a sexual tool.įleming’s watercolors are collage-based and stem from a 2012 series of abstractions that draw loosely from Japanese Edo woodblock cuts, also known as Ukiyo-e, or the “Floating World.” His performance pieces, of which two will be performed by Bass during the show, running from June 1-22, examine Black masculinity but Bass will take on Fleming’s role, throwing the entire piece into a quandary about sexuality, gender and the body. Some are collages of different bodies woven together at strange angles. It looked like bondage, and those images of nontraditional sexual practices are mirrored in the watercolors that show disjointed bodies in odd, but overtly sexual positions. “Something Akin To Living” opened the exhibit on June 1, where collaborator Wilmer Wilson, measured, sawed and fit together 40 pieces of wood slats between the performer (Holly Bass) and two support columns so that the performer had to use her body to literally hold everything together. ![]() If it’s tinted with a color, use overlay. ![]() If it’s mostly white, try using multiply. 'The Black Overlay' at DCAC: A Glance at the Black Body - The Washington Informer Close (Since the texture in this example is mostly black, the blending mode chosen is screen.) To decide which blending mode is best, take a look at your image.
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